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The Americans Is the Realist, and Scariest, Spy Show on TV
Philip and Elizabeth Jennings, the protagonists of FX’s The Americans, are very good spies. But they aren’t super spies. We’re reminded of this at the start of Wednesday’s Season Two premiere. Elizabeth leaves the cabin where she’s been convalescing for months after a botched intelligence operation. Philip’s attempt to send an intimidating message back to Afghani freedom fighters turns bad, and he’s forced to kill two more people than he’d wanted to—including an innocent teenager.
Spying, see, is hard. This is something that pop culture’s depictions of the trade often forget. Yes, James Bond faces tough challenges, but he wins out with the help of superhuman tech, suaveness, and athletic ability. His only real threats are guys with lasers and metal jaws and control of all the world’s computer systems. In other words, he and the threats he faces aren’t real.
Lately, TV has been making covert agents seem a smidge realer than Bond. But that still doesn’t mean they’re relatable. Huck on Scandal is a savant; he’s also a traumatized, unstable sadist. Carrie on Homeland is a savant; she’s also a bipolar, unstable crusader. This makes sense. Part of the appeal of spies is that they’re a different class of person—invisibly affecting the world, but fundamentally not of the world.
On The Americans, though, spies seem just like most people.
Read more. [Image: FX]
Shark fin demand has gone down so much in China, is it because people now understand how the industry works?
Chan: Yes! In the old days, nobody said where the sharks came from, where their fins came from. I think human beings, everybody has a good heart. When they see what’s happening, they stop eating, they stop buying.
We need education, day by day and month by month, to teach them. If we can use celebrities and famous people at the same time, we can correct and right things more quickly.
"What an astonishing thing a book is. It’s a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you’re inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic."